I got issue 48/49 in the mail today; all I can say is, Wow. Much improved from several years when I saw it last. MFTM, in my mind, is the magazine you want to go to if you care more about the art of film music than you do about collecting. (Not that there’s anything wrong with collecting, but I’m just not that into it.) Every composer interview (except Laurence Rosenthal’s, I think) has a corresponding interview with the director they’re currently working with. Like I said, wow.
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